Lundgren is often described as a pioneer who melds the bebop tradition with the melodic "coolness" of his Swedish roots. Critics noted that these sessions captured a "supergroup" energy—Lundgren’s ability to create space and maintain a melodic core even while navigating complex, pulsating grooves.
On May 31 and June 1, 2005, Jan Lundgren entered on 57th Street, a legendary space situated directly above the Steinway showroom. The setting was quintessential New York: a historic studio (since replaced by Billionaire’s Row) where the air was thick with the history of the Steinway pianos below. janlundgren.innewyork.zip
Lundgren was joined by two of the most disciplined and respected "engine room" players in modern jazz: (bass) and Kenny Washington (drums). Together, they recorded In New York for the independent Japanese label Marshmallow Records . A Masterclass in Standards and Originals Lundgren is often described as a pioneer who
Lundgren rounded out the session with heavy-hitting standards like Benny Golson’s "Stablemates," John Coltrane’s "Straight Street," and Wayne Shorter’s "This Is for Albert". The Sound: "The Great European Songbook" The setting was quintessential New York: a historic
Here is a feature-style look at the 2005 sessions that defined his "New York" sound. The Session: Nola’s Penthouse, 2005