On the night of March 16, Nicolas stepped out onto the terrace of his studio. Below him, the sea was a dark, ink-black void, finally free of the blinding light. He didn't leave a note; his life's work was the only explanation he could offer. He stepped into the air, finally becoming the light he had spent his life trying to catch.
Earlier that month, he had attended a concert in Paris featuring the music of Anton Webern. The sparse, crystalline notes had haunted him. "I want to paint like that," he whispered to the empty room. "Silence made visible."
He looked at his unfinished work, Le Concert . It was massive, a sea of red and blue, instruments waiting for a sound that wouldn't come. He realized then that he had reached the summit. There was nowhere left to go but into the blue.