: Roughly 90% of the film was shot using an iPhone 6 in the landscapes of Scotland and Wales.
: This piece compares Barley’s work to the landscape philosophies of John Ruskin, explaining how the film distills nature into a "visual and aural language of the apocalypse". Sleep Has Her House
: An evocative reflection on finding comfort in the film's total darkness. Chang describes the experience as a "coven" where viewers share a lonely but beautiful space together. : Roughly 90% of the film was shot