: Much of the "feature" of the film is the friction between the passengers, specifically Blasco (the old-fashioned, chauvinistic driver) and his female passengers, which provides social commentary alongside the scares.
: Premiered at the Sitges Film Festival before a wider 2022 release. The Passenger (2022) (La pasajera)
: The film is noted for its reliance on physical makeup and slime-filled practical effects rather than heavy CGI, reminiscent of John Carpenter’s The Thing . : Much of the "feature" of the film