Her wardrobe features high-end couture from Versace, Chanel, and Hervé Léger , emphasizing top-shelf extravagance through skin-tight bandage dresses and patterned sequins.
The costumes by Sandy Powell serve as a masterclass in 1990s "power dressing":
Director Martin Scorsese and cinematographer Rodrigo Prieto used distinct visual phases to track Jordan’s journey:
Defined by single-breasted jackets with wide peak lapels , pinstripe or chalk stripe patterns, and double forward pleats to project dominance.
When investigations begin, the film returns to anamorphic lenses but uses longer focal lengths to create a sense of being watched and "milky" backgrounds with shallow depth.
Scorsese uses specific camera movements and blocking to maintain the film’s chaotic energy:
